Eilen Itzel Mena
Eilen Itzel Mena’s practice is a vibrant expression of Afro-diasporic spirituality, weaving personal introspection with deep ancestral and earthly connections.
Mena uses painting, drawing, printmaking, sculpture, installation, and performance to explore personal and collective memory, navigating the intertwined paths of grief, joy, and transformation.
“I’ve been thinking about my ancestors just as much as life in general and the potential that life brings. It’s made me aware of my own ongoingness and purpose in this world.”
– Eilen Itzel Mena
A central theme in Eilen Itzel Mena’s work is the cycle of life and death, expressed through natural motifs like flowers and landscapes. Her art intertwines these weighty themes with a playful, almost childlike aesthetic, offering a fresh perspective on traditional representations of trauma. By blending semi-representational and abstract forms, Mena crafts a visual language that reveals the profound emotional resonance of her symbols.
Mena’s use of vibrant colors suggests a multifaceted vision that reimagines reality and deepens our understanding of our interactions with ourselves, others, the earth, and the universe. Each stroke has a deliberate purpose, animating abstract and spiritual entities beyond the physical realm through vivid contoured lines.
“If there’s something I want people to walk away with when they see my art, it’s the oneness.”
– Eilen Itzel Mena
About the Artist
Eilen Itzel Mena is an Afro-Dominican American artist, writer, and community organizer originally from the South Bronx and now based in London, UK.
In 2017, Mena earned a BA in Fine Art from the USC Roski School of Art and Design. In June 2024, she completed her MFA in Painting at the UCL Slade School of Fine Art with distinction.
Mena’s recent solo exhibitions include In Bloom at Kira Streletzki in Berlin and the Slade MA/MFA Postgraduate Degree Shows in London. She has also participated in impressive group shows such as You Can Sit with Us in London, Threaded Together in Lakeville, and Inestable in Mexico City.
Mena has received numerous prestigious awards, including the Adrian Carruthers Studio Prize from ACME and the Terence Cuneo Prize from the Slade School of Fine Art. She also works as a Co-Director for Honey and Smoke, a global artist community and platform dedicated to exploring important contemporary themes through creative inquiry, education, interactive experiences, and digital content.
Artworks
-
Eilen Itzel Mena Feeling Green (2023)
Acrylic on paper monotype(h) 48 x (w) 38 cm
-
Eilen Itzel Mena Hibiscus (2023)
Acrylic on paper monotype(h) 48 x (w) 38 cm
-
Eilen Itzel Mena In Waves (2023)
Acrylic on paper monotype(h) 45 x (w) 35.5 cm
-
Eilen Itzel Mena The Buzzing Came then Directed Towards Sweetness (2024)
£9,000
Acrylic & oil on hessian(h) 200 x (w) 130 cm
Discover emerging artists
Latest Articles

NextGen Collectors: Contemporary Art Collecting Today
In June 2026, Zarastro Art hosted NextGen Collectors: Contemporary Art Collecting Today, an evening discussion in London exploring how contemporary art is acquired, experienced, and valued. The event examined the changing relationship between collectors, artists, and artworks, and how ideas of identity, value, and cultural participation are shaping a new generation of collectors. Most people who own art did not

Whitney Biennial 2026: America Without Easy Answers
The Whitney Biennial has long asked what it means to be American. As the United States marks its 250th anniversary, this year’s exhibition refuses easy answers. Instead, 56 artists explore grief, belonging, and interspecies kinship in New York’s most talked about and hotly debated exhibition. Several works give the Whitney Biennial 2026 its emotional weight. Kelly Akashi’s Monument (Altadena) is

Inside Refik Anadol’s DATALAND, the World’s First AI Art Museum
Imagine walking into a museum where artworks respond to your heartbeat and even the scents adapt to your body’s signals. That is the promise behind DATALAND, media artist Refik Anadol’s new Los Angeles institution, whose founders describe it as the world’s first museum dedicated to AI-driven art. Anadol founded DATALAND with his wife and longtime creative partner, painter and cultural

Rotterdam Museum Pays Tribute to Wim T. Schippers with Peanut Butter Floor
More than 800 pounds of peanut butter cover the floor of Museum Boijmans Van Beuningen in Rotterdam, reviving one of Wim T. Schippers’ most iconic conceptual works. Staged after the artist’s death last month, the installation celebrates his lifelong commitment to redefining what art can be. Installed at the museum’s Depot, Pindakaasvloer (Peanut Butter Floor) consists of a 270 square

Ai Weiwei’s Button Up! Reassembles History
Ai Weiwei’s Button Up! examines the intertwined histories of China and Britain through an ambitious exhibition of sculpture, installation and new commissions. Set within a former industrial hall in Manchester, it explores empire, industrialisation, migration and censorship, revealing how history shapes today’s political and humanitarian realities. Button Up! is Ai Weiwei’s most expansive exhibition in northern England to date. Conceived

Manifesta 16: This Is Not a Church
Manifesta, the nomadic European biennial that uses each edition to engage with the social and historical realities of its host region, presents its sixteenth edition across Germany’s Ruhr Area, transforming disused postwar churches into spaces for art, dialogue, and community, exploring how history can unite. Manifesta 16 unfolds across Duisburg, Essen, Gelsenkirchen, and Bochum, with twelve former or underused churches





